science journalism – Ryerson Review of Journalism :: The Ryerson School of Journalism http://rrj.ca Canada's Watchdog on the watchdogs Sat, 30 Apr 2016 14:26:17 +0000 en-US hourly 1 Healthy Skeptic http://rrj.ca/healthy-skeptic/ http://rrj.ca/healthy-skeptic/#respond Wed, 06 Apr 2016 13:12:27 +0000 http://rrj.ca/?p=8628 Healthy Skeptic André Picard eschews the hype, pandering and pseudo-science that plague his beat ]]> Healthy Skeptic

The sun isn’t up yet, but André Picard is scrolling through Twitter. Most days, he’d be on a 70-minute run up Montreal’s Mount Royal and back to his house in Le Plateau. But Monday is a rest day. That gives the Globe and Mail health columnist more time to read and tweet stories to his over 40,000 followers. This morning, Twitter’s favourite topic is many people’s favourite breakfast food: bacon. 

The International Agency for Research on Cancer, the World Health Organization (WHO)’s source for cancer information, has reviewed more than 800 studies about processed meat. The headlines are alarming. “Processed meat joins tobacco, asbestos on WHO list of carcinogens,” proclaims the Globe. “Cancer risk rises with the consumption of bacon, sausage, processed meat,” the Toronto Star warns. Reporters repeat the press release numbers: eating 50 grams of processed meat—about two slices of bacon—daily increases the risk of colorectal cancer by 18 percent. Readers take away three words. Bacon. Causes. Cancer.

After an editor asks him to address the furor, Picard takes his laptop into the Globe’s Montreal bureau on the 16th floor of a downtown office building. Flanked by the pieces of his unused desktop computer and a view of shiny skyscrapers, he calmly and efficiently does what he always does: writes a column based on research, clear thinking and logic. By 1 p.m., it’s on the Globe’s website. The headline: “Go ahead, have that BLT for lunch.”

Many other journalists committed a common error. Eighteen percent is the relative risk, a comparison between those who eat processed meat and those who don’t. The more representative numbers are the absolute risk: 56 out of 1,000 non-processed meat eaters will develop colorectal cancer anyway; for bacon aficionados, that number goes up to 66. Hardly worth overhauling your diet. The WHO released a clarification three days later, and many news outlets published follow-up stories with a more measured approach to the science. But Picard didn’t need the new press release to get it right.

When journalists get health stories wrong, the consequences can be dire. After the U.S. Food and Drug Administration warned in 2003 and 2004 that antidepressants may cause suicidal thoughts in young people, the overblown coverage changed public perception dramatically. Parental fears led to fewer young people with depression getting treatment, and a 2014 British Medical Journal study found an increase in suicide attempts.

Health journalism also has to counteract junk science and misinformation. The anti-vaccine movement, for example, puts belief over evidence, endangering everyone else’s health. Meanwhile, celebrities peddle pseudo-science: Gwyneth Paltrow is devoted to “detoxifying” juice cleanses, and Demi Moore attempted to clean her blood with leeches. But too often, reporters are the ones who get the science wrong. Picard, who’s been writing about health for almost 30 years, fights the misinformation every day. On the page, he is an assertive advocate for good health policy; in person, he’s soft-spoken, kind and genuine, with a dry wit that reveals itself slowly. His strong statements sometimes make people—doctors, activists or politicians—look bad, and they get angry, yet he’s almost universally respected and well-liked. Although Picard and many other full-time health reporters have the time to do it well, the beat is easy to screw up. General assignment reporters and new journalists can make common mistakes—hyping new discoveries, pandering to emotion or just plain getting the science wrong—that lead to false hope, dangerous health decisions and widespread misunderstandings.

 

Now 55, Picard stumbled into journalism at the University of Ottawa, which has both French and English student papers. He joined the English paper, The Fulcrum, despite being a francophone born in Ottawa and raised in North Bay, Ontario, because it was looking for a record reviewer. He then worked on the business side, putting his accounting major to work. By the time he graduated, he’d served as both arts editor and editor, which led to two years working for the Canadian University Press. After doing Carleton University’s one-year journalism program, he moved to Toronto to intern at the Globe. While there, he reconnected with his future wife, Michelle Lalonde, whom he knew at The Fulcrum (she’s now a reporter at the Montreal Gazette).

In 1988, the Globe sent him to Toronto’s St. Michael’s Hospital to investigate a mistreated patient. When he arrived, he found a sign warning others to stay away, implying that the man, who was gay, posed a high risk of contamination. Picard introduced himself to the patient and reached out to shake his hand. The patient took it and burst into tears—he hadn’t been touched in days. The reason he was being treated: a urinary tract infection. Titled “Gay patient angered by AIDS warning card,” the story gave its stigmatized subject a voice. “He said he was humiliated by the experience and appalled by the ignorance of medical staff regarding AIDS and homosexuals,” Picard reported. “‘I had visions of the Nazis when I saw that sign. It was as if I was branded with the pink triangle,’ he said.” According to Picard, on the morning the story came out, the sign came down, and the hospital apologized.

Picard continued covering AIDS after he moved to the Globe’s Montreal bureau in 1989. “Writing early and a lot about AIDS is what changed my perception of health being not just medicine, but a very political issue,” he says. Like any new reporter, he made mistakes while starting out. In a 1987 story about a liver cirrhosis drug, for example, he erred the way other reporters did on the bacon story: he cited the more dramatic relative mortality numbers instead of the absolute risk. When he misstepped, readers wrote and phoned, and he learned.

 

“A wonder drug’s dark side,” declared the front-page headline in the Star on February 5, 2015. The story, by the paper’s investigative team, was about young women who said they had adverse reactions to the Gardasil vaccine, which reduces the risk of some cancer-causing forms of HPV. “Since 2008 at least 60 girls and women in Canada have convulsed or developed disabling joint and muscle pain and other debilitating conditions after receiving Gardasil,” wrote David Bruser and Jesse McLean. “One needed a wheelchair, another a feeding tube. A 14-year-old Quebec girl, Anna- belle Morin, died two weeks after receiving the second injection of the vaccine.” Ardent anti-vaxxers championed the article.

One problem, though. The journalists messed up a fundamental principle of science: correlation is not causation. The anecdotes don’t reflect the overwhelming evidence that the vaccine is perfectly safe. Just because two things happen doesn’t mean they’re related to each other. The story mentioned the lack of proof only in the 11th paragraph: “In the cases discussed in this article, it is the opinion of a patient or doctor that a particular drug has caused a side-effect. There is no conclusive evidence showing the vaccine caused a death or illness.” The Star removed the article from its website 15 days later. “If anyone in the newsroom had consulted with any of the Star’s excellent health and medical reporters,” public editor Kathy English wrote in her column on the story, “they could have explained the inherent land mines in not giving greater weight to scientific evidence.”

Even less dramatic mistakes can cause damage. When the scientific consensus is particularly strong, proposing another opinion is like saying the earth is flat. But journalism thrives on conflict. The “vaccine debate,” for example, is based on the idea that vaccines cause autism, though the scientific consensus is that there is no connection. A 2015 Ottawa Sun story presented the point of view of an anonymous anti-vaxxer: “‘We are not part of a herd,’ said the mother. ‘We are rational, intelligent human beings who can make informed decisions of how to obtain and maintain a healthy lifestyle.’” That same month, CBC Radio’s The Current interviewed parents on both sides, giving both a platform to share their views. Listening to anti-vaxxers without debunking their beliefs suggests vaccination is something up for debate. According to the science, it’s not.

Covering only individual studies also creates distortions. Health reporters receive a flurry of press releases—Kelly Crowe, medical sciences correspondent for CBC National News, gets up to 50 a day. Each study is embargoed, so most stories come out at the same time. “It creates a false sense of something happening,” Crowe says. “Science evolves, and news has to happen, and there’s an inherent contradiction there.” Studies with opposing results are a normal part of the scientific process: over time, consensus emerges. But reporting on each one along the way leads to contradictory headlines: a proclamation that chocolate is good for you one day and a warning that it’s bad the next. 

Crowe is thankful she works on stories about broader issues instead of just reporting on the newest studies and technologies. “Because what are the real determinants of health?” she asks. “They’re poverty, they’re education, opportunities, geography.” But these issues aren’t news to some editors; nor are research funding and broader health policies.

Sensationalism is another trap. Timothy Caulfield, a health and law professor at the University of Alberta, has researched hype in the beat. Some news stories about scientific studies inflate benefits, but few discuss costs or potential risks. He calls this “hype by omission”: if readers learn only the possible benefits of a new drug or treatment, they’re left with false hope.

The balance is hard to get right, and even Picard is not immune. In 2009, Italian doctor Paolo Zamboni’s research on his proposed multiple sclerosis (MS) treatment, which involved clearing blocked or narrowed veins in the neck, found improvements in the patients. In a companion feature to a CTV documentary, Picard described Zamboni’s results as “stunning” and “striking,” though he added the caveat that the evidence was “too scant and speculative to start rewriting medical textbooks.” He now says the challenge facing the documentary team—which did the research—was that the study’s skeptics were unwilling to comment. The result was a one-sided story.

Patients demanded governments pay for clinical trials to “liberate” the veins and even travelled to other countries for the unproven treatment. In 2010, a man died after undergoing the procedure in Costa Rica. But Zamboni’s study was not a double-blind randomized controlled trial, the gold standard for scientific experiments (see sidebar on page 43), and tested only 65 patients. Further studies found little difference between the neck veins of people with MS and healthy control subjects, meaning Zamboni’s theory might not be as stunning as the stories suggested.

The good news is health journalism, like science, is self-correcting. Picard’s subsequent work on the topic was much more skeptical. “The saga is also a sobering reminder that, as much as we yearn for simple solutions, they rarely exist,” he wrote in 2010. But the initial article remains on the Globe’s website without a correction. And general assignment reporters rarely have the same second chance to get it right.

“I killed my son,” the email begins. That gets Picard’s attention. He goes on to read a heart-wrenching story from a B.C. woman who’d been left alone with her newborn son in the hospital. She fell asleep, rolled over and asphyxiated her baby. Hospital staff told her he had died of sudden infant death syndrome; she didn’t learn the real story until months later, while reading the coroner’s report.

Picard calls her but isn’t convinced that he should tell her story. “When you write about these really personal issues, which I often do, you worry about what the impact’s going to be on the person,” he says. But he kept talking to her over several months, until a larger story emerged. “The perils of sharing bed with baby” became a front-page feature. The woman’s story is the lead of a 1,400-word article that explores how to do co-sleeping correctly. He wrote it in his typical style—clear, with specific examples: “The baby should always sleep on his back, on a hard surface: no waterbeds, no makeshift beds made of cushions or pillows, and no sleeping on the couch or in the Laz-E-Boy.”

Not all journalists show such restraint. In 2011, when Ontario refused to pay for a $40,000 cancer drug for a mother of two, reporters dialled up the despair. The Globe’s Lisa Priest present- ed it as an injustice: “All the best medical advice could not have prepared a 35-year-old breast cancer patient for this: After finding a lump, Jill Anzarut was told her tumour was ‘too small’ to be treated with a drug that can prevent a recurrence, potentially saving her life.” Matt Gurney of the National Post wrote, “Ms. Anzarut, by catching her cancer early, disqualified herself from the best possible treatment.”

Few  stories  mentioned  the  drug’s  potential  side  effects— including  heart  failure,  lung  damage  and  increased  risk  of infection—or that the researchers didn’t test tumours as small as Anzarut’s. Evidence-based or not, the whirlwind of stories created enough political pressure that the province paid for the drug. The Star’s Theresa Boyle says such situations benefit only the individual in the news, not the system or anyone in the same situation. She once received a call about a young boy who would go blind without a costly U.S. operation that Ontario wouldn’t fund. “When you write up stories like this, they can result in the person getting the treatment they want,” she says. “Is that fair to all the others who have been turned down for treatment?” She chose not to cover the story, but another Star reporter wrote it after the issue was raised in question period at Queen’s Park.

These pieces often fail to mention why drugs can be so expensive: drug companies looking to make a profit. Research and development are often covered by grants and publicly funded universities, so astronomical sticker prices aren’t just for covering the manufacturing costs. But instead of including drug pricing in the discussion, some journalists go for the heartstrings. Reporters unfamiliar with the beat are at a distinct disadvantage because there’s so much to know, including the scientific consensus on a topic, how Canada’s health system works and what makes a good study. And in a modern newsroom, many health stories go to general assignment reporters.

But journalists are only part of the problem. “A lot of the actual hype flows from what we call the hype pipeline,” says Caulfield, “where build-up of exaggeration or misinformation happens.” Researchers, who are under pressure to publish and commercialize their work, may talk up their research in the abstract—the summary at the top of every research paper—which is sometimes the only part of the study reporters read. The press release adds another layer of sensation. In the “bacon causes cancer” stories, for example, the press release reported the relative risk, while only a reporter familiar with health might read the study to find the absolute risk. Then, journalists need to catch their audience’s attention and simplify the science to make it understandable. Next, at newspapers, an editor—usually without a scientific background—writes the headline. “In each one of these steps, there are complicit collaborators,” says Caulfield. “Everyone benefits along that chain from a little bit of hype.”

Meanwhile, many scientists are more comfortable with jargon and the specialized knowledge of their field than with plain language. Terms like metastasized, derma, biopsy or clinical trial may confuse reporters, who must ask for explanations or risk leaving readers even more confused.

And editors push for stories they think readers want: diet tricks, waiting room times or the annual article on how bad the allergy season is (despite data suggesting otherwise). Maureen Taylor, Crowe’s predecessor at CBC, left full-time journalism to become a physician assistant (although she’s on the editorial board of Healthy Debate). One reason for the career change was her frustration with superficial daily health reporting. “Often what producers and editors think the audience wants are those lifestyle-type stories,” she says, citing “bacon causes cancer” as an example of what tops newscasts. “But it’s not going to be the story that you’re proudest of.”

 

The moderator reading Picard’s bio pauses to take a breath, and one of the 30 or so health professionals and reporters in the room starts to clap. Everyone laughs when the moderator adds more accomplishments to the list. When he gets to the podium, Picard smiles and quips, “Yeah, my mom sends those long emails to everybody.”

He’s at a Toronto YMCA for a panel about the benefits and harms of covering suicide; Picard is the only journalist, speaking along with three health professionals. His stage persona is similar to how he is on the page: blunt, clear and based on evidence. Picard’s also the only speaker to get multiple laughs. He’s well practiced; speeches and talks on everything from patient-centred care to psychology are a regular part of his schedule. About half of these gigs are paid, but he expresses his honest opinions as a columnist, occasionally disagreeing with the experts who invited him. At the Y, he says journalists are unlikely to ever follow suicide reporting guidelines created by outside agencies like the Canadian Psychiatric Association, such as to “avoid exciting reporting,” and refrain from publishing photos of the deceased.

In the Q & A portion, a man asks about Picard’s suggestion that a health reporter would write differently about suicide than someone on the crime or arts beat. “What do we do about that?” the man asks. Picard responds, “What we do is have breakfasts like these for crime reporters instead of health reporters.”

Kathryn O’Hara, CTV chair in science broadcast journalism at Carleton, is also a proponent of education. Even six weeks of science training in journalism school—especially understanding statistics and research evaluation—would help young reporters get health stories right as general assignment reporters.

Gary Schwitzer, publisher of HealthNewsReview, thinks the checklist his blog’s expert reviewers use could be a good guideline for journalists. Up to 70 percent of stories they analyze miss items such as discussing costs or quantifying downsides. But there’s still reason for optimism, he says, because “there are lots of unprecedented peaks of excellence”: journalists who write about health well. “Unfortunately,” he continues, “those peaks of excellence have in between them a wider and deeper valley of this day-to-day tsunami of garbage.”

Picard is a peak. “One thing about working with André is that it really humbles you,” says Paul Taylor, Globe health editor from 1998 to 2013. “Whatever you think about your own skills, André is so much better.” Taylor once asked Picard to write a column a half-hour before deadline; it came in exactly to word count. “He wrote the story faster than I could just type it.” Les Perreaux, the Globe’s Montreal bureau chief since 2010, was intimidated by Picard when he started the job. “But it didn’t take long to realize that he’s actually a very nice guy, a very generous colleague and a good lunch mate.”

Jeremy Petch, managing editor at Healthy Debate, says Picard is well respected across the health care system. “People read him whether they agree with it or not.” And sometimes, they really don’t agree. Last October, Picard wrote an op-ed about doctors’ “sense of entitlement.” He was reacting to a dispute between the Ontario Medical Association (OMA) and the province, which cut physicians’ fees. (The OMA has since launched a charter challenge against the province.) Doctors can legally strike but face restrictions because they provide an essential service. Instead, the physicians started a social media campaign. Picard took issue with the tone and content of their tweets. He wrote: “There’s a fine line between warning and threatening reductions in patient care, and between highlighting your hard work and whining about your workload and, too often, physicians have veered to the wrong side of that line.” He argued for binding arbitration.

Many doctors felt insulted, and they let him know—directly and on social media. Merrilee Fullerton, a retired Ottawa-based family physician, says, “I think what was really noticeable to me was the word ‘entitlement.’” She accuses Picard of approaching stories with his mind made up—in this case, “his bias is that physicians are probably overpaid, do not require the respect they have traditionally been given, that other people can do their jobs and that they are essentially greedy.”

Such accusations don’t bother or surprise him anymore. What does bother him, though, is people attributing thoughts and statements to his column that he didn’t actually write. He often retweets criticism with a correction.

Flak from both sides of an issue shows that Picard is balanced, says Taylor. During his time at the Globe, he sometimes had trouble explaining what Picard was writing about at editorial meetings, because he wasn’t sure what side of an issue the columnist would come down on. “That’s partly because he isn’t ideological,” Taylor says. “He’s evidence-based, and unless you know what the evidence says, it’s hard to know what he’ll say.”

The evidence was on Picard’s mind in February 2015, when hockey legend Gordie Howe seemed to bounce back from a severe stroke after an experimental stem cell treatment in Tijuana, Mexico. Many reporters, especially in sports sections, quoted the Howe family’s description of the treatment as a “miracle” without question. But an important caveat was missing. Stem cells, building blocks that can transform into specialized cells, are our bodies’ built-in repair system. They can successfully treat some diseases, like leukemia, but there’s no evidence that they can fix post-stroke brain damage. Suggesting otherwise could push desperate people to try risky and expensive options.

Picard wrote that one anecdotal success story is not evidence that these treatments work. He also pointed out holes in other reporters’ narratives: not mentioning the brain’s capacity to rewire itself after a stroke and Howe’s occupational, physio and speech therapy that could have contributed to his improvements. “The media coverage of Mr. Howe’s ordeal,” Picard wrote, “more than anything else, is a striking example of how science should not be presented to the public.”

To be consistent and get things right, Picard relies on lots of reading, learning and meeting experts at conferences. He calls far more experts than he quotes, just to make sure that his assumptions and thinking are in line with the evidence. “To me,” he says, “the guiding force is just try to be fair.” In other words, health reporters have the same responsibility as everyone else in the newsroom: to do good journalism.

 

 

]]>
http://rrj.ca/healthy-skeptic/feed/ 0
Silenced Spring http://rrj.ca/silenced-spring/ http://rrj.ca/silenced-spring/#respond Thu, 19 Mar 2015 19:38:43 +0000 http://rrj.ca/?p=5985 Silenced Spring Environmental reporters are turning to crowdfunding—but their voices are becoming whispers in the noise of news]]> Silenced Spring

Stephen Leahy is passionate about the environment. So passionate, in fact, that the 61-year-old Canadian journalist is willing to live below the poverty line in his in-laws’ basement apartment so he can continue reporting on environmental injustices.

Those sacrifices seem worth it when Inter Press Service agrees to publish his story about the Ninth World Wilderness Congress in Mexico. It’s November 6, 2009, and Leahy has a huge scoop—a group of scientists has concluded that in order to preserve the earth’s wildlife, more than half the planet will need protection from the effects of climate change.

But Leahy soon learns that four fellow journalists tried, and failed, to sell the same story to mainstream news outlets. Never mind environmental sustainability—what about the journalistic ecosystem? As his colleagues consider careers in public relations, Leahy hatches a plan. He jots down the facts: Canadians want to stay informed about the environment, and he’s a qualified journalist with a loyal following. If traditional publishers won’t pay, then he’ll go directly to the public. Leahy calls his brainstorm “community-supported environmental journalism.”

The crowdfunding website Kickstarter launched in April 2009, about seven months before Leahy attaches a PayPal account to his website. The timing for crowdfunding appears fortunate, as journalists in this country have had to endure a string of massive budget cuts—the Canadian Media Guild reported that roughly 2,000 industry jobs were cut from January to May in 2009. At the same time, environmental reporting had started to lose its permanent home at traditional news organizations.

Some newspapers, such as the Guelph Mercury, have seldom maintained an environmental beat, while others, including The Hamilton Spectator, have seen such coverage decrease. Many newspapers publish sporadic stories from freelance writers and general assignment reporters that tend to focus on political conflicts instead of environmental consequences.

Today, almost six years after it launched, Kickstarter is no longer just a niche option for quirky indie musicians trying to record an EP; it’s a powerful method of innovation. Crowdfunding success stories include the Pebble smartwatch, which raised millions of dollars, and the Coolest, a high-tech portable cooler with more than 60,000 backers. Meanwhile, user-supported environmental reporting is still waiting for its Pebble or Coolest.

Crowdfunded journalism offers the public an opportunity to engage with the material they’re funding and make suggestions before it’s published. But the risks and challenges of journalism by donation are numerous. Can it reach the same number of people as mainstream media? Will its content remain engaging enough to sustain funding? And, finally, can it prevent longform journalism—including quality environmental stories—from getting stuck on the outskirts of the internet?

 ***

Crowdfunding 101: How to Please a Crowd

After seven crowdfunding campaigns, journalist Joey Coleman admits, “Marketing is hard.” But it’s worth it. Here are 10 tips for doing it right:

1. Pick the right topic. Make sure you’re filling a void in journalism. Otherwise, people can get it for free somewhere else.

2. Secure a base. Before Anne Casselman and Tyee Bridge crowdfunded for their micropublishing startup Nonvella, the B.C. journalists spread the word to friends and colleagues interested in non-fiction. “It’s not like we blindly spammed every contact in our email list,” says Casselman.

3. Go with the right model. Some funding sites, like Kickstarter’s all-or-nothing setup, are better for one-off campaigns. Others, such as subscription-based Beacon Reader, are better for long-term projects.

4. Read the fine print. Hidden fees are everywhere. Call customer service representatives before clicking “I accept.” What’s annoying now may save you a panic attack later.

5. Establish credibility. Backers want to know where you’ve been published and that you have the skills and attention span to the see the project through.
6. Be professional. Ditch the amateur selfie video and the gimmicky “If you call now, we will include. . .” pitch, suggests Coleman. Instead, think of it as an interview for a dream job with an intimidating boss.

7. Keep it simple. Avoid the grandiose gesture. DeSmog Canada’s Kickstarter campaign varies its rewards depending on the donation. Give 10 bucks and the team promises to jump in the Pacific Ocean; $750 means an investigative series in your honour.

8. Break it down. Transparency sells, so offer a detailed budget. How will you use the money? How much of it will go toward your own income?

9. Ask again. Think of creative, non-repetitive funding reminders, and take advantage of Twitter, Facebook and email—but don’t abuse online forums.

10. Relinquish control. Ultimately, crowdfunding success is up to the public. You can do everything right, but if no one’s interested in the journalism you’re selling, find another story.

Crowdfunding is an odd mix of show and tell, Dragon’s Den and plain old panhandling. Instead of using a tin cup to solicit donations, aspiring entrepreneurs ask the public for money via the internet. Specialized sites, including Kickstarter and Indiegogo, offer step-by-step tips on how to make a campaign video and create incentives for donors. Taking a cue from
Kickstarter’s success, websites Beacon Reader and Patreon now offer subscription-based models better suited for creators who develop content on a continuing basis, rather than one-off projects.By acting as intermediaries, most crowdfunding sites take a cut of the money collected—anywhere from five to 10 percent. Or, if entrepreneurs are brave enough, they can go at it alone by integrating a PayPal account into their own website, just as Leahy did.Given that American Kickstarter celebrity Zack “Danger” Brown raised $55,492 in a month to make potato salad, crowdfunding may seem like an easy way to get slightly richer somewhat quickly. But for journalists, managing this new approach requires learning a new set of skills—things don’t always turn out the way they hope. Freelance journalist Sam Eifling was excited when his investigative project looking into the after-effects of an oil spill in Mayflower, Arkansas, was posted on crowd-resourcing platform Ioby.org. He and his team secured some donors before they put their campaign on Ioby, and were rewarded with $5,000 in pledges within a few days. But then came what Eifling calls “the big, saggy middle of it” where not much happened.Unlike many other crowdfunding projects that offer the donor an innovative product and bragging rights, journalism gives donors exclusive access and helps create a well-informed society. “What you are essentially doing is asking people to give to a public good,” Eifling explains. But, he adds, many people are surprised by what it costs to produce journalism because they are so used to reading the free, ad-supported version.DeSmog Canada, an independent, ad-free environmental news site that launched in 2013, turned to crowdfunding out of desperation. Initially, the site relied on donations from businesses or occasional grants from foundations (and, in part, it still does), but soon realized it would not make it past year one without public help. It began a month-long, all-or-nothing Kickstarter campaign in September 2014. If it didn’t reach the lofty goal of $50,000, it wouldn’t receive any of the funds, as per Kickstarter’s rules.“We cringed through the entire month,” admits Carol Linnitt, managing editor and director of research at DeSmog. “It’s not very pleasant to ask for money.” There was some push-back on the email list and Facebook page from supporters who expressed frustration with the fundraising efforts. Two weeks into the campaign, Linnitt posted a celebrity endorsement on Facebook: a photo of Naomi Klein along with a quote that read, “It is one of my most trusted sources and was an indispensable tool when writing This Changes Everything. It deserves all of your support.”One critic described the endorsement as “stroking your own ego.” Nonetheless, DeSmog Canada saw a spike in donations and surpassed its goal. What’s not clear is whether it was the quality of journalism or the endorsements from environmentalist David Suzuki, Lost star Evangeline Lilly and Klein that convinced the public to donate.Instead of soliciting through social media, Leahy sends out weekly newsletters to his 1,000 subscribers. He does this from the home office in his in-laws’ basement in Uxbridge, Ontario, surrounded by photos of his two children and copies of his first book. In these letters, he must first educate readers on how the business of journalism works—what he gets paid for a story, his annual income, his expenses—before he lays out detailed specifics on how he will use the funds. Sometimes it takes three or four pitches before people respond. Each reminder pitch he sends out needs to be different because he doesn’t want to spam his contributors with identical letters. “They take an extraordinary amount of time,” explains Leahy. “This is some of the most concise, maybe best, writing I do.”

Leahy now has 10 patrons whose donations range from $10 to $50 a month. The money makes up about 20 percent of his income (the rest comes from freelancing). Although he wouldn’t consider it at this point, Leahy might benefit from a Naomi Klein endorsement.

 ***

In the 1980s and 1990s, smog and acid rain made front-page news, and reporters didn’t have to beg for money to get those stories published. The language in those articles was also far stronger and more scientific than today. In a September 30, 1981 story in The Globe and Mail, Michael Keating reported that Canada’s federal and provincial governments were starting a campaign to get the U.S. to stop producing acid rain. That’s because researchers estimated more than half of the acid rain falling in Canada was blowing north from the U.S. After giving a brief rundown on the politics, Keating provided readers with the scientific background. Acid rain is a “chemical soup,” he explained, with ingredients ranging from sulphuric and nitric acid to poisonous metals.

Staff environmental reporters were also not afraid to make bold linkages. When smog began to cloud B.C.’s horizon in April 1995, Ross Howard wrote in the Globe that ozone, one of smog’s ingredients, was “the second-greatest cause of lung disease after smoking.” While Howard and Keating were two of Canada’s leading environment reporters, neither had environmental sciences degrees. But their articles conveyed heft and knowledge because they had access to leading scientists and the time they needed to craft compelling narratives.

While Howard and Keating chased acid rain woes, Peter Calamai, a science reporter for the Toronto Star, had his eye on another prize. He wrote with three prominent parts of the paper in mind: front page, page three and a section front in the weekend editions of the paper. “If I got anywhere else other than that,” he says, “I considered it a failure.”

Even before he started at the Star in 1998, he realized that the only way the majority of the population would read his stories was if he “shoved it down their throats.” He believes that it’s even harder for journalists today, because editors no longer push for science-related stories.

What was, until recently, considered mainstream environmental coverage may now be scorned as activism by some critics and politicians. On December 24, 2012, Mike De Souza, then a national political correspondent for Postmedia, wrote a story about the high price of the government’s new fuel efficiency standards. After combing through the fine print of the report, De Souza found that stricter fuel economy standards on new cars could increase road congestion and cost taxpayers billions of dollars. Ten days later, in a letter published in The Windsor Star, then-environment minister Peter Kent dismissed De Souza as an activist.

Being called an activist generally doesn’t bother the reporter, but it may have bothered his bosses at Postmedia. De Souza called out the federal government’s relationship with oil companies, and held the Conservatives accountable for casting doubt on climate change and allegedly muzzling scientists. Although De Souza didn’t let what he calls the “intimidation tactics” distract him from his investigations, Postmedia laid him off along with two full-time political reporters at its Ottawa bureau in February 2014. “It wasn’t explained to me,” De Souza says after a long pause. “I was told there were budget cuts, but I wasn’t ever given any official reasoning why I would be picked as opposed to other people who remained in the bureau.”

While De Souza had to deal with the pressures of the government and advertisers, not all environmental journalism is like this. So what does that look like? During question period on December 9, 2014, the Conservatives withdrew support for a carbon tax and pointed out that no other countries have regulations on their oil and gas sector. The next day, DeSmog Canada countered the prime minister’s claims with a colourful infographic titled “Carbon Regulations Around the World.”

DeSmog found that more than half of the world’s population live in countries with some form of regulation on carbon consumption and production. The piece linked to news articles and official government websites from countries such as New Zealand, India, Switzerland and Japan. Harper’s denunciation of a carbon tax came shortly after the UN climate talks in Lima, Peru, where the majority of nations agreed to eliminate the wholesale use of fossil fuel energy by 2050.

Mainstream news outlets did cover that story. Ottawa Citizen reporters Jordan Press and Jason Fekete held the government accountable for failing to regulate the gas industry. Using several quotes from Liberal and NDP opponents, they revealed that Canada is unlikely to meet its goal of reducing greenhouse gas emissions by 2020.

While the crowdfunded version lacked access to government sources, the Citizen story omitted the connection between government inaction and the consequences it might have on the environment. But neither DeSmog nor the Ottawa paper offered a full picture of cause and effect.

 ***

The launch of the Tyee Solutions Society (TSS) in 2009 offered a new approach to journalism. “Solutions journalism” refers to rigorous reporting that tackles both issue and response. Using this framework, reporters such as Geoff Dembicki interview sources from oil companies, government representatives, environmentalists and academics to bring together different perspectives, opening a dialogue so opposing groups can work toward a consensus. “One of the most surprising things I found was that many of Canada’s largest oil companies actually support a price on carbon dioxide,” he says. Effective solutions journalism employs the same techniques as investigative journalism. When big companies claim they want a price on carbon, Dembicki scours through internal documents to find proof. “The result was I was able to present a story that wasn’t just taking these companies at their word,” he says, “but really looking into how they were preparing for climate change.”

Following the success of TSS, co-founder David Beers is willing to experiment with both journalism and how it’s funded. He employed this successful model when he launched the campaign to take sister site The Tyee national. By creating an in-house crowdfunding campaign called the “builder program,” the goal is to ensure that The Tyee can continue producing quality journalism. The program crowdfunded over $120,000 in 2013 and used that money to successfully establish a model that accounts for 20 percent of the site’s earnings.

In part, this crowdfunding success stems from using it as a tool for expansion, instead of simply as a means of survival. “It has made our relationship with readers that much closer,” explains Dembicki. “They can see now that by reading The Tyee, and by contributing a small amount of money, they were really able to improve the reach of a small independent publication.”

***

From artists looking for investors to finance their next work, to teachers seeking classroom materials, to journalists looking to fund investigative projects they believe are in the public interest, crowdfunding has helped many entrepreneurs around the world realize their visions. The global crowdfunding economy grew to over $5.1 billion in 2013. But one of the biggest problems with using this technique for journalism is that in an age of free information, readers are no longer accustomed to paying for unpleasant news.

Although Leahy asks the general public for money, his regular donors are journalists, scientists and environmentalists. But when reporters fund other reporters, there’s a concern that the work will not reach the broader public. And if journalists must spend more and more of their time on crowdfunding campaigns, they have less time to devote to researching and writing.

Crowdfunded journalists must juggle their passion for environmental journalism with the dreaded task of fundraising and hope their stories don’t get labelled as activism or pushed to the fringes of the internet. Peter Fairley, a freelance environmental reporter based in Victoria, B.C., has experience with crowdfunding through the Society of Environmental Journalists. As a volunteer board member, he watched fellow journalists rush to assist their peers when the SEJ struggled to stay afloat. But he insists crowdfunded journalism doesn’t always reach a mass audience. “It’s preaching to the choir. It’s being financed by the choir. It’s the choir financing itself.”

Howard doesn’t think the specialized approach is financially sustainable and wants to see a shake-up in mainstream reporting. Climate change is one of the biggest stories of our time, yet mainstream coverage is often reactionary or riddled with conflict. Howard believes that without a well-educated citizenry, stronger environmental regulations are unlikely. But an informed public is unlikely without bold and prominent environmental coverage in mainstream news.

Still, Howard sees a role for crowdfunding. He hopes it can strengthen reporting by paying for research that will lead to stories in mainstream publications. That’s the only way he thinks crowdfunded journalism will reach the masses. “I don’t think it will radically change anything else,” he says. “It will just strengthen these stories so that they are so good they can’t be denied.”

A previous version of this story incorrectly stated that a September 30, 1981 article in The Globe and Mail stated Canada’s governments were petitioning the U.S. to lower its carbon emissions. The campaign was to petitioning to stop the production of acid rain. The Review regrets the error.

]]>
http://rrj.ca/silenced-spring/feed/ 0