”Lights! Camera! Action!”

Do dramatic elements in documentaries deceive the audience or do they enhance storytelling? Do viewers really care?

Standing in ankle-deep snow, Peter Lynch, director of Project Grizzly, had a vision he wanted to portray. The documentary he was filming focused on Troy Hurtubise, a self-professed mountain man whose quest was to find a grizzly bear and grapple with it, wearing a handmade suit of armour. Rather than following Hurtubise around for weeks […]